Nota Bene

By Watts Martin

Nota Bene is designed to be comfortably subdued in both dark and light modes, while having a little more character than "minimal" grayscale themes. Inline markup is subtle, but always visible, and all markup elements have been tweaked. The color set was inspired by an old word processor that shares its

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Nota Bene is designed to be comfortably subdued in both dark and light modes, while having a little more character than "minimal" grayscale themes. Inline markup is subtle, but always visible, and all markup elements have been tweaked. The color set was inspired by an old word processor that shares its name with the theme. Nota Bene looks excellent with a good typewriter face such as Matthew Butterick's Triplicate.

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